Too many are solely about that artist trying to be discovered, which means too many of them are far too transparent meta stabs at undeserved fame. Too many indie TV pilots focus on struggling actors or writers in Hollywood. SXSW may be canceled, but there’s still plenty of opportunities for the festival to do some good. All three exemplify enough talent across the board to earn further exploration, whether it’s a development deal, a talent option, or more. Seek out what you can, but make sure to find the three favorites below. With that in mind, “This Isn’t Me.” writer and star Ben Kawaller has the energy needed to develop into an endearing screen presence (and his editor Ian Levine exhibits strong comedic timing) directors Yuko Shiomaki and Anna Thorson Mayer’s documentary “Homecoming: The Journey of Cardboard,” follows a man who travels from Japan to Florida in search of the backstory on American cardboard is a well-shot 30-minute doc with an intriguing subject (who honestly deserved more backstory) “Cooper’s Bar” makes good use of Rhea Seehorn (as a Hollywood executive so mean, the “Better Call Saul” star must’ve drawn from her time on “Veep” for the part), and “Heart to Heart” showrunners IR Bell-Webb, Manon Ardisson, and Chiara Ventura punch up a simple concept into a memorable short. Memo to Distributors: Buy These 2023 Cannes Movies What these filmmakers are hoping for is exactly what SXSW intended to give them: exposure to a wide audience, including industry professionals looking for fresh talent. (Half of this year’s entries clock in under 20 minutes, and three are less than 10.) But unlike the film side, many indie TV shows that screen at festivals aren’t looking to be picked up and made as-is those pilots are very, very rare. Among the 14 submissions split into two screening groups, there are the typical handful of “pilots” that aren’t really pilots - they’re proofs of concept or short films. Using the SXSW Press platform provided for would-be attendees, IndieWire watched this year’s batch and picked out the most notable entries below. ![]() ![]() ![]() The Austin-based film, TV, and music festival was scheduled to be hosting screenings through March 22, and its Episodic Pilot lineup - a showcase of TV and web pilots aimed to help filmmakers find production opportunities, completion funds, or a release platform - would’ve aired all its entries before St. As one of the early event cancellations in the deluge of unprecedented closures caused by the coronavirus, it’s easy to forget that SXSW would still be running right now.
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